Artwork

Vox Media Podcast Network and The Verge에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Vox Media Podcast Network and The Verge 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

Taylor Swift and the music industry's next $20

1:23:33
 
공유
 

Manage episode 352720161 series 88572
Vox Media Podcast Network and The Verge에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Vox Media Podcast Network and The Verge 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

I have this theory that music is usually about five years ahead of the rest of media in terms of its relationship to tech—whether that’s new formats based on new tech, like vinyl to CDs; new business models like streaming; or simply being disrupted by new kinds of artists who use new forms of promotion like TikTok in unexpected ways. I’ve always thought that if you can wrap your head around what’s happening to the music industry, you can pretty much see the future of TV or movies or the news or whatever it is, because the music industry just moves that fast.

I was talking about this with my friend Charlie Harding, the co-host of Switched on Pop, and he said that he thinks the upcoming Taylor Swift Eras Tour is itself the end of an era in music — that the age of cheap streaming services is coming to an inevitable conclusion, and that something has to change in order for industry to sustain itself in the future.

So, in this episode, Charlie and I walk through a brief history of the music business—which, despite its ever-changing business models, is permanently trying to find something to sell you for $20 whether that’s the music itself, all-access streaming, merch, and even NFTs—using Taylor Swift as a case study. We map her big moves against the business of music over time to try to see if this really is the end of an era. And maybe more importantly, to try and figure out if the music industry can sustain and support artists who are not Taylor Swift, because streaming, all by itself, definitely cannot.

Links:

Switched on Pop

Charlie’s first appearance on Decoder: Good 4 who? How music copyright has gone too far - The Verge

Why Amazon VP Steve Boom just made the entire music catalog free with Prime - The Verge

Spotify launching in the US at 8AM tomorrow, open to all pre-registered users - The Verge

Metallica sued Napster 15 years ago today - The Verge

Taylor Swift calls Apple Music free trial 'shocking, disappointing' in open letter - The Verge

Taylor Swift versus Ticketmaster: the latest on the tour that may break up a giant - The Verge

The DOJ has reportedly opened an antitrust investigation into Ticketmaster's owner

How fandom built the internet as we know it, with Kaitlyn Tiffany - The Verge

Steve Aoki on the blockchain, the metaverse, and the business of music - The Verge

Transcript:

https://www.theverge.com/e/23322720

Credits:

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Today’s episode was produced by Hadley Robinson, Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder. Our Editorial Director is Brooke Minters. Our Sr. Audio Director is Andrew Marino and our Executive Producer is Eleanor Donovan.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

770 에피소드

Artwork
icon공유
 
Manage episode 352720161 series 88572
Vox Media Podcast Network and The Verge에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Vox Media Podcast Network and The Verge 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

I have this theory that music is usually about five years ahead of the rest of media in terms of its relationship to tech—whether that’s new formats based on new tech, like vinyl to CDs; new business models like streaming; or simply being disrupted by new kinds of artists who use new forms of promotion like TikTok in unexpected ways. I’ve always thought that if you can wrap your head around what’s happening to the music industry, you can pretty much see the future of TV or movies or the news or whatever it is, because the music industry just moves that fast.

I was talking about this with my friend Charlie Harding, the co-host of Switched on Pop, and he said that he thinks the upcoming Taylor Swift Eras Tour is itself the end of an era in music — that the age of cheap streaming services is coming to an inevitable conclusion, and that something has to change in order for industry to sustain itself in the future.

So, in this episode, Charlie and I walk through a brief history of the music business—which, despite its ever-changing business models, is permanently trying to find something to sell you for $20 whether that’s the music itself, all-access streaming, merch, and even NFTs—using Taylor Swift as a case study. We map her big moves against the business of music over time to try to see if this really is the end of an era. And maybe more importantly, to try and figure out if the music industry can sustain and support artists who are not Taylor Swift, because streaming, all by itself, definitely cannot.

Links:

Switched on Pop

Charlie’s first appearance on Decoder: Good 4 who? How music copyright has gone too far - The Verge

Why Amazon VP Steve Boom just made the entire music catalog free with Prime - The Verge

Spotify launching in the US at 8AM tomorrow, open to all pre-registered users - The Verge

Metallica sued Napster 15 years ago today - The Verge

Taylor Swift calls Apple Music free trial 'shocking, disappointing' in open letter - The Verge

Taylor Swift versus Ticketmaster: the latest on the tour that may break up a giant - The Verge

The DOJ has reportedly opened an antitrust investigation into Ticketmaster's owner

How fandom built the internet as we know it, with Kaitlyn Tiffany - The Verge

Steve Aoki on the blockchain, the metaverse, and the business of music - The Verge

Transcript:

https://www.theverge.com/e/23322720

Credits:

Decoder is a production of The Verge, and part of the Vox Media Podcast Network.

Today’s episode was produced by Hadley Robinson, Creighton DeSimone and Jackie McDermott and it was edited by Callie Wright.

The Decoder music is by Breakmaster Cylinder. Our Editorial Director is Brooke Minters. Our Sr. Audio Director is Andrew Marino and our Executive Producer is Eleanor Donovan.

Learn more about your ad choices. Visit podcastchoices.com/adchoices

  continue reading

770 에피소드

All episodes

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드