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Phi Phenomenon에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Phi Phenomenon 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 65 – 'Midnight Run' w/ Editor Billy Weber

1:24:49
 
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저장한 시리즈 ("피드 비활성화" status)

When? This feed was archived on February 10, 2024 14:13 (2M ago). Last successful fetch was on September 18, 2023 02:19 (6M ago)

Why? 피드 비활성화 status. 잠시 서버에 문제가 발생해 팟캐스트를 불러오지 못합니다.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 293964577 series 2886724
Phi Phenomenon에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Phi Phenomenon 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

With Charles Grodin’s passing two weeks ago, an appreciation of his under-appreciated career can’t neglect what is most inarguable his finest cinematic (two-)hour(s): Martin Brest’s 1988 buddy comedy co-starring Grodin and Robert De Niro, in his first studio starring comedy role. Ted Haycraft and I are joined by the film’s editor Billy Weber on this episode, which triples as not only an appreciation of the film, but also the careers of director Brest and Weber’s. We discuss:

- what childhood movie inspired Billy’s only directed feature;
- how his circuitous path through older editor’s union rules led him to watching The Exorcist 150 times;
- why helping a then-film student Brest while working in Taxi Driver’s editing room didn’t necessarily lead to future work;
- but being rejected by a director for not having “box-office success” opened up his schedule to edit Beverly Hills Cop for Brest.

Also:

- why the film’s centerpiece scene is the reunion might be the key to the genre “gumbo” that makes the film so rewatchable;
- how Billy’s interest in improv acting helped him blur the line between editing naturalistic and star-making performances;
- the version of Brest’s Gigli that was a good film before studio reshoots;
- and how stupid it is that that film’s questionable reputation has left Brest where “no one will take his calls.”

This one’s full of some great stories.

Billy Weber is a two-time Oscar nominee entering his sixth decade editing features. He’s worked on multiple films for such directors as Terrence Malick, Martin Brest, Walter Hill, Tony Scott, and Warren Beatty. His credits include, among others: Badlands, Days of Heaven, The Warriors, Beverly Hills Cop I and II, Top Gun, Pee-Wee’s Big Adventure, The Thin Red Line, Bulworth, Rules Don’t Apply, and The Predator.

Midnight Run is streaming on HBO Max and available on Blu-ray from Shout! Factory.

  continue reading

99 에피소드

Artwork
icon공유
 

저장한 시리즈 ("피드 비활성화" status)

When? This feed was archived on February 10, 2024 14:13 (2M ago). Last successful fetch was on September 18, 2023 02:19 (6M ago)

Why? 피드 비활성화 status. 잠시 서버에 문제가 발생해 팟캐스트를 불러오지 못합니다.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 293964577 series 2886724
Phi Phenomenon에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Phi Phenomenon 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

With Charles Grodin’s passing two weeks ago, an appreciation of his under-appreciated career can’t neglect what is most inarguable his finest cinematic (two-)hour(s): Martin Brest’s 1988 buddy comedy co-starring Grodin and Robert De Niro, in his first studio starring comedy role. Ted Haycraft and I are joined by the film’s editor Billy Weber on this episode, which triples as not only an appreciation of the film, but also the careers of director Brest and Weber’s. We discuss:

- what childhood movie inspired Billy’s only directed feature;
- how his circuitous path through older editor’s union rules led him to watching The Exorcist 150 times;
- why helping a then-film student Brest while working in Taxi Driver’s editing room didn’t necessarily lead to future work;
- but being rejected by a director for not having “box-office success” opened up his schedule to edit Beverly Hills Cop for Brest.

Also:

- why the film’s centerpiece scene is the reunion might be the key to the genre “gumbo” that makes the film so rewatchable;
- how Billy’s interest in improv acting helped him blur the line between editing naturalistic and star-making performances;
- the version of Brest’s Gigli that was a good film before studio reshoots;
- and how stupid it is that that film’s questionable reputation has left Brest where “no one will take his calls.”

This one’s full of some great stories.

Billy Weber is a two-time Oscar nominee entering his sixth decade editing features. He’s worked on multiple films for such directors as Terrence Malick, Martin Brest, Walter Hill, Tony Scott, and Warren Beatty. His credits include, among others: Badlands, Days of Heaven, The Warriors, Beverly Hills Cop I and II, Top Gun, Pee-Wee’s Big Adventure, The Thin Red Line, Bulworth, Rules Don’t Apply, and The Predator.

Midnight Run is streaming on HBO Max and available on Blu-ray from Shout! Factory.

  continue reading

99 에피소드

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