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New Books Network and Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network and Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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87* Mike Leigh In Focus (JP)

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Manage episode 338163681 series 2421448
New Books Network and Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network and Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).

Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.

In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.

Discussed in this episode:

Transcript Available Here

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1130 에피소드

Artwork

87* Mike Leigh In Focus (JP)

New Books in Popular Culture

137 subscribers

published

icon공유
 
Manage episode 338163681 series 2421448
New Books Network and Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New Books Network and Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In nearly 50 years of filmmaking, British director Mike Leigh has ranged from comic portrayals of ordinary life amid the social breakdowns of Thatcher’s Britain (Life is Sweet, High Hopes) to gritty renditions of working-class constraint and bourgeois hypocrisy (Meantime, Abigail’s Party, Hard Labour) to period films that reveal the “profoundly trivial” elements of artistic life even two centuries in the past (Topsy-Turvy, Mr. Turner).

Leigh contains multitudes. What Roland Barthes says about the novels of Marcel Proust is true of Mike Leigh films as well: you notice different things every time you return to them.

In this Columbus, Ohio conversation, Mike and John they discovered their shared love for a hometown boy made good: James Thurber. The conversation ranged from recording working-class voices in the 19th century to Method acting to the pointlessness of fetishizing closeups to the movies John had never seen and should have–and that’s only the first twenty minutes. It cries out for footnotes, but maybe the best result of all this talk would be simply your decision to go off and see a couple (or like John seven) of Mike Leigh films you’d never seen before. You won’t be sorry.

Discussed in this episode:

Transcript Available Here

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

  continue reading

1130 에피소드

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