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Jennifer Atkins, "New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920" (LSU Press, 2017)

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Manage episode 269276947 series 2421475
Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920 (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders.

The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing.

They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans.

Jennifer Atkins is graduate program director at Florida State University’s School of Dance.

Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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Manage episode 269276947 series 2421475
Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

In New Orleans Carnival Balls: The Secret Side of Mardi Gras, 1870-1920 (LSU Press, 2017), Dr. Jennifer Atkins draws back the curtain on the origin of the exclusive Mardi Gras balls, bringing to light unique traditions unseen by outsiders.

The oldest Carnival organizations emerged in the mid-nineteenth century and ruled Mardi Gras from the Civil War until World War I. For these organizations, Carnival balls became magical realms where krewesmen reinforced their elite identity through sculpted tableaux vivants performances, mock coronations, and romantic ballroom dancing.

They used costume and movement to reaffirm their group identity, and the crux of these performances relied on a specific mode of expression—dancing. Using the concept of dance as a lens for examining Carnival balls, Atkins delves deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans.

Jennifer Atkins is graduate program director at Florida State University’s School of Dance.

Emily Ruth Allen (@emmyru91) is a Ph.D. candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

  continue reading

877 에피소드

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