We believe that everyone who runs should have a great soundtrack. Not one curated by an algorithm, but one that’s hand-picked by a DJ who runs too. The Runcast with John Richards brings you a dynamic mix of music and inspiration to keep you company and motivate you on your run, no matter what your level.
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Liquid Architecture에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Liquid Architecture 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Player FM 앱으로 오프라인으로 전환하세요!
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Clare Cooper (Artist Profile)
Manage episode 301688638 series 2776172
Liquid Architecture에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Liquid Architecture 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Over the last two decades, Clare Cooper has brought together thousands of people to collaborate on community initiatives, creative approaches to governance, collaborative composition, speculative design, and critical listening. Here, in line with Jim Denley’s profile on Clare, published on Disclaimer, Clare talks through memories of sound and listening, the beginnings of playing the harp and guzheng, futuring, and the multitude of organising and improvising that has been present throughout her career. Spanning disciplines, countries and communities, Clare’s work is rooted in the sociability of improvisation and it’s capacity to encourage compassion and radical acts of trust. https://disclaimer.org.au/contents/the-test-of-time-clare-crim-cooper Image: Keelan O'Hehir Financial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture’s weekly podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month. https://www.patreon.com/liquidarchitecture For the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
…
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121 에피소드
Manage episode 301688638 series 2776172
Liquid Architecture에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Liquid Architecture 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Over the last two decades, Clare Cooper has brought together thousands of people to collaborate on community initiatives, creative approaches to governance, collaborative composition, speculative design, and critical listening. Here, in line with Jim Denley’s profile on Clare, published on Disclaimer, Clare talks through memories of sound and listening, the beginnings of playing the harp and guzheng, futuring, and the multitude of organising and improvising that has been present throughout her career. Spanning disciplines, countries and communities, Clare’s work is rooted in the sociability of improvisation and it’s capacity to encourage compassion and radical acts of trust. https://disclaimer.org.au/contents/the-test-of-time-clare-crim-cooper Image: Keelan O'Hehir Financial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture’s weekly podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month. https://www.patreon.com/liquidarchitecture For the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.
…
continue reading
121 에피소드
모든 에피소드
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