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John Lee & Martin Nutty, John Lee, and Martin Nutty에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 John Lee & Martin Nutty, John Lee, and Martin Nutty 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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S2E13: Janet Behan - Actor, Playwright…and Brendan’s Niece

1:00:46
 
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Manage episode 297805256 series 2809589
John Lee & Martin Nutty, John Lee, and Martin Nutty에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 John Lee & Martin Nutty, John Lee, and Martin Nutty 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Janet Behan carries on the family tradition of creativity in both her acting and writing. The London-born daughter of Dublin-born playwright Brian Behan & Celia Behan, great niece of the songwriter Peadar Kearney (author of Amhrán na bhFiann, the Irish National Anthem), and niece of the writers Dominic Behan and Brendan Behan.

On this serving of The Stew, she tells of a deprived but happy childhood “that took a bit of recovering from” and how “playing the fool” to ease family tensions led her to the stage and screen. Trained at the Central School of Speech and Drama , she is known for her roles in National Theatre productions and in the popular TV series EastEnders.

“I’ve always had a fear of being ordinary, just an ordinary human Behan,” she says quoting her uncle Brendan.

She channeled the spirit of her uncle in writing Brendan at the Chelsea which caught the eye of Adrian Dunbar who’d go on to direct and star in it’s Lyric Theatre of Belfast production which earned rave reviews in an Off-Broadway run. Recently she realized she was old enough to play her indomitable grandmother, which she did in the recent film Kathleen and Me.

Janet tells us of being too Irish for the English and too English for the Irish, saying “I think of myself as somebody who is always on her knees, begging and pleading to be allowed into Ireland...culturally and psychologically.”

Janet Behan Links:

  continue reading

84 에피소드

Artwork
icon공유
 
Manage episode 297805256 series 2809589
John Lee & Martin Nutty, John Lee, and Martin Nutty에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 John Lee & Martin Nutty, John Lee, and Martin Nutty 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Janet Behan carries on the family tradition of creativity in both her acting and writing. The London-born daughter of Dublin-born playwright Brian Behan & Celia Behan, great niece of the songwriter Peadar Kearney (author of Amhrán na bhFiann, the Irish National Anthem), and niece of the writers Dominic Behan and Brendan Behan.

On this serving of The Stew, she tells of a deprived but happy childhood “that took a bit of recovering from” and how “playing the fool” to ease family tensions led her to the stage and screen. Trained at the Central School of Speech and Drama , she is known for her roles in National Theatre productions and in the popular TV series EastEnders.

“I’ve always had a fear of being ordinary, just an ordinary human Behan,” she says quoting her uncle Brendan.

She channeled the spirit of her uncle in writing Brendan at the Chelsea which caught the eye of Adrian Dunbar who’d go on to direct and star in it’s Lyric Theatre of Belfast production which earned rave reviews in an Off-Broadway run. Recently she realized she was old enough to play her indomitable grandmother, which she did in the recent film Kathleen and Me.

Janet tells us of being too Irish for the English and too English for the Irish, saying “I think of myself as somebody who is always on her knees, begging and pleading to be allowed into Ireland...culturally and psychologically.”

Janet Behan Links:

  continue reading

84 에피소드

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