In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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IFH Industries, Inc. and Indie Film Hustle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 IFH Industries, Inc. and Indie Film Hustle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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IFH 776: Crafting Comedy Without Limits: The Indie Spirit Behind Chasing Molly with Shelley Pack & Josh Sutherland
Manage episode 449770413 series 2482463
IFH Industries, Inc. and Indie Film Hustle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 IFH Industries, Inc. and Indie Film Hustle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In today’s episode, we welcome the brilliant comedic minds behind Chasing Molly: Shelley Pack and Josh Sutherland. Together, they share the odyssey of making an independent film from scratch, driven by pure creativity and an unwavering dedication to laughter and storytelling. Their journey is not just one of filmmaking but of persistence, grit, and a desire to carve a unique voice in the comedy genre.
Shelley Pack brings her background as a comedian and improv performer, skillfully assembling a cast of friends and acquaintances to breathe life into Chasing Molly. With no big studios or massive budgets, Shelley and Josh poured their souls into the project. "It was liberating to create something genuinely funny without restrictions," Shelley reflects, highlighting how the freedom of independent filmmaking allowed her to maintain the authenticity of the comedy.
On the other side, Josh Sutherland recounts his journey from a kid with a camcorder to a professional in Hollywood, working every possible crew position to understand the art and science of film. A student of cinema at the University of Texas, Josh entered the world of visual effects, gaining firsthand knowledge in various roles. When the opportunity arose to collaborate on Chasing Molly, Josh brought not only technical expertise but also a lifelong passion. "Filmmaking is a huge, huge team sport," he explains, underscoring the communal effort that went into producing the film.One memorable anecdote shared by Shelley and Josh is the challenge of shooting in a real pawn shop while it was open to the public. With customers oblivious to the filming, Shelley describes an eccentric woman examining items with a magnifying glass, fully engrossed in her shopping while the crew scrambled to finish the scene before sundown. Such improvisational moments added authenticity to the film, revealing the beauty and chaos of guerilla-style filmmaking.Shelley also speaks about the “Zen Cholo,” a character who emerged through social media sleuthing. Shelley found “Scar,” a YouTube personality with a massive social following, whose calm demeanor brought unexpected depth to the role of a gang leader. This resourcefulness in casting enabled the team to create a distinctive character who, as Shelley notes, is “like a Buddha with street cred,” adding unique charm to the film.
In the end, Chasing Molly is more than a film; it’s a testament to the idea that with a vision, a supportive crew, and a refusal to take “no” for an answer, anything is possible. As Josh says, “We set ourselves up to win,” and that victory is felt in every scene of this indie gem
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
…
continue reading
Shelley Pack brings her background as a comedian and improv performer, skillfully assembling a cast of friends and acquaintances to breathe life into Chasing Molly. With no big studios or massive budgets, Shelley and Josh poured their souls into the project. "It was liberating to create something genuinely funny without restrictions," Shelley reflects, highlighting how the freedom of independent filmmaking allowed her to maintain the authenticity of the comedy.
On the other side, Josh Sutherland recounts his journey from a kid with a camcorder to a professional in Hollywood, working every possible crew position to understand the art and science of film. A student of cinema at the University of Texas, Josh entered the world of visual effects, gaining firsthand knowledge in various roles. When the opportunity arose to collaborate on Chasing Molly, Josh brought not only technical expertise but also a lifelong passion. "Filmmaking is a huge, huge team sport," he explains, underscoring the communal effort that went into producing the film.One memorable anecdote shared by Shelley and Josh is the challenge of shooting in a real pawn shop while it was open to the public. With customers oblivious to the filming, Shelley describes an eccentric woman examining items with a magnifying glass, fully engrossed in her shopping while the crew scrambled to finish the scene before sundown. Such improvisational moments added authenticity to the film, revealing the beauty and chaos of guerilla-style filmmaking.Shelley also speaks about the “Zen Cholo,” a character who emerged through social media sleuthing. Shelley found “Scar,” a YouTube personality with a massive social following, whose calm demeanor brought unexpected depth to the role of a gang leader. This resourcefulness in casting enabled the team to create a distinctive character who, as Shelley notes, is “like a Buddha with street cred,” adding unique charm to the film.
In the end, Chasing Molly is more than a film; it’s a testament to the idea that with a vision, a supportive crew, and a refusal to take “no” for an answer, anything is possible. As Josh says, “We set ourselves up to win,” and that victory is felt in every scene of this indie gem
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
942 에피소드
Manage episode 449770413 series 2482463
IFH Industries, Inc. and Indie Film Hustle에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 IFH Industries, Inc. and Indie Film Hustle 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
In today’s episode, we welcome the brilliant comedic minds behind Chasing Molly: Shelley Pack and Josh Sutherland. Together, they share the odyssey of making an independent film from scratch, driven by pure creativity and an unwavering dedication to laughter and storytelling. Their journey is not just one of filmmaking but of persistence, grit, and a desire to carve a unique voice in the comedy genre.
Shelley Pack brings her background as a comedian and improv performer, skillfully assembling a cast of friends and acquaintances to breathe life into Chasing Molly. With no big studios or massive budgets, Shelley and Josh poured their souls into the project. "It was liberating to create something genuinely funny without restrictions," Shelley reflects, highlighting how the freedom of independent filmmaking allowed her to maintain the authenticity of the comedy.
On the other side, Josh Sutherland recounts his journey from a kid with a camcorder to a professional in Hollywood, working every possible crew position to understand the art and science of film. A student of cinema at the University of Texas, Josh entered the world of visual effects, gaining firsthand knowledge in various roles. When the opportunity arose to collaborate on Chasing Molly, Josh brought not only technical expertise but also a lifelong passion. "Filmmaking is a huge, huge team sport," he explains, underscoring the communal effort that went into producing the film.One memorable anecdote shared by Shelley and Josh is the challenge of shooting in a real pawn shop while it was open to the public. With customers oblivious to the filming, Shelley describes an eccentric woman examining items with a magnifying glass, fully engrossed in her shopping while the crew scrambled to finish the scene before sundown. Such improvisational moments added authenticity to the film, revealing the beauty and chaos of guerilla-style filmmaking.Shelley also speaks about the “Zen Cholo,” a character who emerged through social media sleuthing. Shelley found “Scar,” a YouTube personality with a massive social following, whose calm demeanor brought unexpected depth to the role of a gang leader. This resourcefulness in casting enabled the team to create a distinctive character who, as Shelley notes, is “like a Buddha with street cred,” adding unique charm to the film.
In the end, Chasing Molly is more than a film; it’s a testament to the idea that with a vision, a supportive crew, and a refusal to take “no” for an answer, anything is possible. As Josh says, “We set ourselves up to win,” and that victory is felt in every scene of this indie gem
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
…
continue reading
Shelley Pack brings her background as a comedian and improv performer, skillfully assembling a cast of friends and acquaintances to breathe life into Chasing Molly. With no big studios or massive budgets, Shelley and Josh poured their souls into the project. "It was liberating to create something genuinely funny without restrictions," Shelley reflects, highlighting how the freedom of independent filmmaking allowed her to maintain the authenticity of the comedy.
On the other side, Josh Sutherland recounts his journey from a kid with a camcorder to a professional in Hollywood, working every possible crew position to understand the art and science of film. A student of cinema at the University of Texas, Josh entered the world of visual effects, gaining firsthand knowledge in various roles. When the opportunity arose to collaborate on Chasing Molly, Josh brought not only technical expertise but also a lifelong passion. "Filmmaking is a huge, huge team sport," he explains, underscoring the communal effort that went into producing the film.One memorable anecdote shared by Shelley and Josh is the challenge of shooting in a real pawn shop while it was open to the public. With customers oblivious to the filming, Shelley describes an eccentric woman examining items with a magnifying glass, fully engrossed in her shopping while the crew scrambled to finish the scene before sundown. Such improvisational moments added authenticity to the film, revealing the beauty and chaos of guerilla-style filmmaking.Shelley also speaks about the “Zen Cholo,” a character who emerged through social media sleuthing. Shelley found “Scar,” a YouTube personality with a massive social following, whose calm demeanor brought unexpected depth to the role of a gang leader. This resourcefulness in casting enabled the team to create a distinctive character who, as Shelley notes, is “like a Buddha with street cred,” adding unique charm to the film.
In the end, Chasing Molly is more than a film; it’s a testament to the idea that with a vision, a supportive crew, and a refusal to take “no” for an answer, anything is possible. As Josh says, “We set ourselves up to win,” and that victory is felt in every scene of this indie gem
Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.
942 에피소드
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