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Will Ross & Devan Scott, Will Ross, and Devan Scott에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Will Ross & Devan Scott, Will Ross, and Devan Scott 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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S2E10 - Colour in the Films of Wong Kar-Wai

51:33
 
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Manage episode 279006162 series 2654469
Will Ross & Devan Scott, Will Ross, and Devan Scott에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Will Ross & Devan Scott, Will Ross, and Devan Scott 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

For our season 2 finale, we keep it simple and discuss none other than the use of colour across the works of Wong Kar-Wai. In particular, we discuss the use of colour to evoke emotions, mood, and symbolism in his 21st century masterpieces In The Mood For Love and 2046.

We’ll be taking a break for the holidays, but our regularly scheduled programming will continue in January 2021. And who knows, there might be some bonus episodes coming…

In this episode, we discuss:
  • The different ways in which colour is utilized and created in cinema: lighting, production design, grading.

  • Wong Kar-Wai’s evolution as an artist and his highly instinctual and intercultural approach to colour.

  • Cinematographer Christopher Doyle’s approach to colour.

  • The new restorations of Wong Kar-Wai’s cinema, and the possible issues therein. AKA: “In the Mood For Love: was it always this green?”

If you’d like to support the show, here’s a link to our Patreon.

Additional Resources:

Works discussed during this episode:

By Wong Kar-Wai:

Days of Being Wild

Chungking Express

Fallen Angels

Happy Together

In The Mood For Love

2046

By Others:

Apocalypse Now

Dick Tracy

  continue reading

51 에피소드

Artwork
icon공유
 
Manage episode 279006162 series 2654469
Will Ross & Devan Scott, Will Ross, and Devan Scott에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Will Ross & Devan Scott, Will Ross, and Devan Scott 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

For our season 2 finale, we keep it simple and discuss none other than the use of colour across the works of Wong Kar-Wai. In particular, we discuss the use of colour to evoke emotions, mood, and symbolism in his 21st century masterpieces In The Mood For Love and 2046.

We’ll be taking a break for the holidays, but our regularly scheduled programming will continue in January 2021. And who knows, there might be some bonus episodes coming…

In this episode, we discuss:
  • The different ways in which colour is utilized and created in cinema: lighting, production design, grading.

  • Wong Kar-Wai’s evolution as an artist and his highly instinctual and intercultural approach to colour.

  • Cinematographer Christopher Doyle’s approach to colour.

  • The new restorations of Wong Kar-Wai’s cinema, and the possible issues therein. AKA: “In the Mood For Love: was it always this green?”

If you’d like to support the show, here’s a link to our Patreon.

Additional Resources:

Works discussed during this episode:

By Wong Kar-Wai:

Days of Being Wild

Chungking Express

Fallen Angels

Happy Together

In The Mood For Love

2046

By Others:

Apocalypse Now

Dick Tracy

  continue reading

51 에피소드

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