Artwork

Audioboom에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Audioboom 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Player FM -팟 캐스트 앱
Player FM 앱으로 오프라인으로 전환하세요!

S3 Ep12: Donny McCaslin & Leah Kardos on ★ Part 2

1:04:34
 
공유
 

Manage episode 266398079 series 2114935
Audioboom에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Audioboom 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Welcome to the second of a megachat with musicians Donny McCaslin and Leah Kardos, as we discuss at length the life and times of the final epic album, 2016’s ★
2016’s is a dense, darkly textured epic that reveals Bowie in full flight as a musician, improvisator, lyricist and performer, a tour de force that demonstrated that Bowie was as much at ease with his past as he was with his present.

A remarkable accomplishment indeed, of course, for as we know this was Bowie’s farewell. And what an album is. Like Johnny Cash or Leonard Cohen, Bowie left us with a complex and astonishingly powerful final statement. It’s the sound of an artist at the top of his game, confident, with nothing to prove and that fertile, quicksilver mind running at full throttle.

It was clear that Bowie wanted something different, yet again, for and in New York based jazz saxophonist and bandleader Donny McCaslin, he found it. An acclaimed composer, performer and lynchpin of the experimental jazz scene, McCaslin’s love of improvisation and passion for ensemble playing created a secure, inspiring pocket around the singer, from where he emerged with some of his greatest tunes. Bringing us a melange of styles from avant-jazz to electro beats, reflective acoustic strumming to theatrical overtures (very much in Bowie’s mind as he was simultaneously preparing the stage show ‘Lazarus’), remains not only the ultimate masterpiece of Bowie’s recording career, but the last masterpiece he would ever do.

Also joining us on this episode is Leah Kardos - composer/producer, and music scholar and currently senior lecturer in Music at Kingston University near London. She’s co-founder of the university’s Visconti Studio with the one and only Tony Visconti and also runs the Kingston Uni Stylophone Orchestra (the only group of its kind in the world). She is currently writing a book about Bowie's late-period work (2013-2016) called "Blackstar Theory: David Bowie's Death Art", out next year from Bloomsbury Publishing.

Thanks are also due to the wonderful David Bowie Glamour Fanzine, without whom this podcast would not have happened.
If you enjoyed this podcast, please do share and comment, it's really appreciated :)
https://leahkardos.bandcamp.com/merch


  continue reading

49 에피소드

Artwork
icon공유
 
Manage episode 266398079 series 2114935
Audioboom에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Audioboom 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Welcome to the second of a megachat with musicians Donny McCaslin and Leah Kardos, as we discuss at length the life and times of the final epic album, 2016’s ★
2016’s is a dense, darkly textured epic that reveals Bowie in full flight as a musician, improvisator, lyricist and performer, a tour de force that demonstrated that Bowie was as much at ease with his past as he was with his present.

A remarkable accomplishment indeed, of course, for as we know this was Bowie’s farewell. And what an album is. Like Johnny Cash or Leonard Cohen, Bowie left us with a complex and astonishingly powerful final statement. It’s the sound of an artist at the top of his game, confident, with nothing to prove and that fertile, quicksilver mind running at full throttle.

It was clear that Bowie wanted something different, yet again, for and in New York based jazz saxophonist and bandleader Donny McCaslin, he found it. An acclaimed composer, performer and lynchpin of the experimental jazz scene, McCaslin’s love of improvisation and passion for ensemble playing created a secure, inspiring pocket around the singer, from where he emerged with some of his greatest tunes. Bringing us a melange of styles from avant-jazz to electro beats, reflective acoustic strumming to theatrical overtures (very much in Bowie’s mind as he was simultaneously preparing the stage show ‘Lazarus’), remains not only the ultimate masterpiece of Bowie’s recording career, but the last masterpiece he would ever do.

Also joining us on this episode is Leah Kardos - composer/producer, and music scholar and currently senior lecturer in Music at Kingston University near London. She’s co-founder of the university’s Visconti Studio with the one and only Tony Visconti and also runs the Kingston Uni Stylophone Orchestra (the only group of its kind in the world). She is currently writing a book about Bowie's late-period work (2013-2016) called "Blackstar Theory: David Bowie's Death Art", out next year from Bloomsbury Publishing.

Thanks are also due to the wonderful David Bowie Glamour Fanzine, without whom this podcast would not have happened.
If you enjoyed this podcast, please do share and comment, it's really appreciated :)
https://leahkardos.bandcamp.com/merch


  continue reading

49 에피소드

모든 에피소드

×
 
Loading …

플레이어 FM에 오신것을 환영합니다!

플레이어 FM은 웹에서 고품질 팟캐스트를 검색하여 지금 바로 즐길 수 있도록 합니다. 최고의 팟캐스트 앱이며 Android, iPhone 및 웹에서도 작동합니다. 장치 간 구독 동기화를 위해 가입하세요.

 

빠른 참조 가이드