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New York City Ballet에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New York City Ballet 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Episode 31.1: Hear the Dance: Red Angels (Part 1)

45:21
 
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Manage episode 282950053 series 2861103
New York City Ballet에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New York City Ballet 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Former NYCB dancer Silas Farley is back to host a special 2-part episode of Hear the Dance devoted to the life and work of late choreographer Ulysses Dove. Beginning with a brief overview of Dove’s career, this part focuses on Red Angels, the first of two works he choreographed on NYCB. Associate Artistic Director Wendy Whelan, Pacific Northwest Ballet Artistic Director Peter Boal, and violinist Mary Rowell, all of whom performed in the ballet’s 1994 premiere, reunite to discuss Dove’s working style in the studio, the challenges presented by Red Angels’ unprecedented choreographic vocabulary, and the audience’s electric reaction on opening night. “It was all about owning your space and owning your voice,” says Whelan, “and that was Ulyssess at that time.” (45:21)

Continue listening to Part Two of this episode.

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Maxwell's Demon (1988-1990) by Richard Einhorn July (1961) by Michael Torke

  continue reading

101 에피소드

Artwork
icon공유
 
Manage episode 282950053 series 2861103
New York City Ballet에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 New York City Ballet 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Former NYCB dancer Silas Farley is back to host a special 2-part episode of Hear the Dance devoted to the life and work of late choreographer Ulysses Dove. Beginning with a brief overview of Dove’s career, this part focuses on Red Angels, the first of two works he choreographed on NYCB. Associate Artistic Director Wendy Whelan, Pacific Northwest Ballet Artistic Director Peter Boal, and violinist Mary Rowell, all of whom performed in the ballet’s 1994 premiere, reunite to discuss Dove’s working style in the studio, the challenges presented by Red Angels’ unprecedented choreographic vocabulary, and the audience’s electric reaction on opening night. “It was all about owning your space and owning your voice,” says Whelan, “and that was Ulyssess at that time.” (45:21)

Continue listening to Part Two of this episode.

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Maxwell's Demon (1988-1990) by Richard Einhorn July (1961) by Michael Torke

  continue reading

101 에피소드

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