Voices Of Vr Podcast

Eric Kohn has been a professional film critic for 15 years, and he’s currently the Executive Editor at Indiewire, the Vice President of Editorial Strategy,저자 kentbye

The Ristband music platform (formerly known as Overview Ark) launched an alpha version at SXSW during co-founder Roman Rappak’s mixed reality show with his band저자 kentbye

Radio Ghost is a 70-minute, interactive and immersive audio piece for three people that’s site-specific to a mall. It’s meant to unpack the unseen stories저자 kentbye

Paradise is an immersive audio piece exploring themes of domestic violence that was an interdisciplinary collaboration between Darkfield, VR documentary filmmaker Gabo Arora of Lightshed.io저자 kentbye

Lustration is a 4-part episodic VR series illustrated within Quill that’s in the fantasy, detective noir genre, and created by First Nation Creative Ryan Griffen.저자 kentbye

Roman Rappak‘s Miro Shot band had a unique mixed reality performance of a single song at SXSW to an audience of 50 people who were저자 kentbye

Ihyangjeong: Carving with Memories is by Korean 2D animator Sunghwan Lee of Studio Shelter, who used Quill to tell a spatial story about the connections저자 kentbye

Targo Stories has created a number of really well-produced and well-told immersive stories using the 360 VR video medium over the past three years. Their저자 kentbye

On January 10th, Ana Brzezińska was announced to be the new Immersive Curator of the Tribeca Film Festival, and I had a chance to speak저자 kentbye

FRAMERATE is a timelapse LIDAR art installation by ScanLAB Projects that showed at SXSW. It encourages the audience to “think and feel in another time저자 kentbye

Black Ice VR is a sci-fi horror immersive narrative that experiments between switching between 3rd person and 1st person POV, and it was produced as저자 kentbye

Future Rights was a prototype at SXSW that aimed to bring bringing Stravinsky’s ballet The Rite of Spring into VR. They were showing a short저자 kentbye

The Choice is an interactive documentary that explores the issue of reproductive rights in Texas. The team uses a special stereoscopic compositing pipeline that combines저자 kentbye

Céline Tricart is an award-winning VR director who gave one of the main SXSW Keynotes about immersive storytelling, live action role play, and emotional bleed.저자 kentbye

Liminal Lands is an environmental VR piece commissioned by Luma Arles to document and volumetrically capture different objects and organisms within “overlooked wetlands at the저자 kentbye

AmazeVR is a VR Concert Platform that premiered part of an experience at SXSW that they will be taking on a 10-city concert tour called저자 kentbye

The Peabody Awards have expanded beyond the traditional categories of Entertainment, News, Podcast & Radio, Documentary, Arts, & Public Service, and into new formats of저자 kentbye

On the Morning You Wake (To the End of the World) is now available for free on Oculus, and it’s a must-watch immersive story that저자 kentbye

Forensic Architecture is an innovative interdisciplinary, non-profit research group that uses the tools & techniques of architecture to tell spatial stories of state-sponsored violence and저자 kentbye

The immersive story of Notes on Blindness: Into the Darkness (2016) VR experience (Quest, Rift) was awarded with a Legacy Peabody Award for Digital &저자 kentbye

Nonny de la Peña was one of the 16 Legacy Peabody Award recipients honoring historical work as a part of their new Digital & Interactive저자 kentbye

Ioulia Isserlis’ Komez Alef O translates the story of her father’s refugee journey of escaping the Nazis during the Holocaust. Isserlis collaborated with her father저자 kentbye

(Hi)story of a Painting: The Light in the Shadow won a special jury prize at SXSW for Immersive Storytelling as it uses the medium of저자 kentbye

On the Morning You Wake (To the End of the World) won the best XR Experience at SXSW, and is set to be released this저자 kentbye

Weird Times is an 5-part, VR episodic series that explores issues of teenage mental health that’s produced by the teach at Flight School and executive저자 kentbye

Gumball Dreams is the latest immersive theatre production in VRChat by The Ferryman Collective, who previously produced Welcome to Respite: The Severance Theory. They just저자 kentbye

I talk with the creators of Choctaw Code Talkers 1918, Kilma Lattin, Founder & CEO of OurWorlds as well as Catherine Eng, Co-founder & CTO저자 kentbye

There are nearly 40 XR experiences and special events programmed as a part of the physical SXSW festival in Austin, and I spoke with lead저자 kentbye

There’s a lot of debates about the Metaverse, and whether or not it’s complete BS or if it’s the natural evolution of the Internet as저자 kentbye

There are a lot of unsupervised children in different social VR applications, and hopefully this interview with Lance G. Powell, Jr. about his article Parental저자 kentbye

Virtual Virtual Reality 2 has so many innovations in immersive storytelling structure through a very unique experience of nested contexts allowing for character persistence while저자 kentbye

Flat Earth VR started as a thought experiment by Lucas Rizzotto who was skewering the idea that VR is an empathy machine by creating an저자 kentbye

Tom Ffiske publishes the Immersive Wire Newsletter, and on February 2, 2022 he announced the release of his latest book called The Metaverse: A Professional저자 kentbye

The Child of Empire is an immersive story that tells the story of the India-Pakistan Partition of 1947, which is one of the largest forced저자 kentbye

The State of Global Peace is an immersive experience that debuted at the Sundance Festival New Frontier 2022, which was produced by the Innovation Cell저자 kentbye

Suga’: A Live Virtual Dance Performance was a live performance in Mozilla Hubs that premiered at SIGGRAPH 2021 and also screened at the Sundance New저자 kentbye

This is Not a Ceremony is a cinematic VR piece that asks us to “collectively bear witness to tragic events in the lives of two저자 kentbye

Diagnosia is an immersive, non-linear environmental storytelling piece that takes you inside of a Chinese Internet Addiction Camp. In the early 2000s in China, there저자 kentbye

I was invited to participate on panel on Metaverse Ethics at Gamesbeat’s Into the Metaverse 2 summit on January 26, 2022. Privacy in XR was저자 kentbye

On the Morning You Wake (to the End of the World) is one of the most powerful experiences I’ve seen in VR, and is also저자 kentbye

Gondwana VR simulates 100 years of climate change in the Daintree Rainforest within a 24-hour durational simulation that’s running each day throughout the Sundance New저자 kentbye

We Met in Virtual Reality is feature-length documentary by Joe Hunting premiering today at the Sundance film festival. It follows five different protagonists (2 couples저자 kentbye

The Sundance New Frontier 2022 selection of 15 immersive stories is available starting today until January 30th, and I had a chance to speak with저자 kentbye

Philosopher David Chalmers has an amazing book called “Reality+: Virtual Worlds and the Problems of Philosophy” that is being released on January 25th, and I저자 kentbye

William Uricchio is a Professor of Comparitive Media Studies at MIT, who started Open Documentary Lab in 2012 as a research initiative to look at저자 kentbye

Michaela French is a visual artist working with moving image, primarily in immersive experiences in the context of a full dome space. She’s been collaborating저자 kentbye

Francesca Panetta is a freelance immersive artist, director, journalist who worked at The Guardian experimenting with new forms of storytelling, then as a creative director저자 kentbye

Vincent Morisset is the founder of the studio AATOAA, and has been doing interactive projects for the past 2 decades. He’s worked with folks like저자 kentbye

Ali Eslami is an Iranian artist who has been working with VR since 2014 & living in Amsterdam since 2018, and we talked about these저자 kentbye

Roel Wouters is a founding partner of Moniker, which is a small tight-nit studio doing projects on how people relate to technologies, social impact of저자 kentbye