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Paul Blais에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Paul Blais 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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A Board Member of Studio Potter | Hayne Bayless | Episode 859

1:28:05
 
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Manage episode 337587427 series 2391491
Paul Blais에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Paul Blais 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Growing up in Seattle, Hayne Bayless first got interested in clay when he found an old potter's wheel and kiln in a corner of the high school art room. The art teacher knew enough about pottery to point him to Leach's A Potter's Book, and that became his guide. Other than lessons with a potter in Tokyo as a late teen, Hayne managed to avoid any formal education in ceramics.

Hayne abandoned wheel-throwing early on, lured by the freedom that hand-building offers. He set up his first studio in a tiny basement he shared with a washer and dryer, a stack of snow tires, mice and the snakes that ate them. The workspace amounted to a little more than a hundred square feet. To navigate the cramped quarters he sometimes had to slide sideways, and since then it’s been Sideways Studio. It also applies to a certain way of looking at things; instead of encountering an idea head-on, you might approach it from a different angle, even sideways. It can help avoid the traps of your own assumptions and biases. His studio is larger now and still cluttered, but he doesn't have to walk sideways.

  continue reading

1022 에피소드

Artwork
icon공유
 
Manage episode 337587427 series 2391491
Paul Blais에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Paul Blais 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

Growing up in Seattle, Hayne Bayless first got interested in clay when he found an old potter's wheel and kiln in a corner of the high school art room. The art teacher knew enough about pottery to point him to Leach's A Potter's Book, and that became his guide. Other than lessons with a potter in Tokyo as a late teen, Hayne managed to avoid any formal education in ceramics.

Hayne abandoned wheel-throwing early on, lured by the freedom that hand-building offers. He set up his first studio in a tiny basement he shared with a washer and dryer, a stack of snow tires, mice and the snakes that ate them. The workspace amounted to a little more than a hundred square feet. To navigate the cramped quarters he sometimes had to slide sideways, and since then it’s been Sideways Studio. It also applies to a certain way of looking at things; instead of encountering an idea head-on, you might approach it from a different angle, even sideways. It can help avoid the traps of your own assumptions and biases. His studio is larger now and still cluttered, but he doesn't have to walk sideways.

  continue reading

1022 에피소드

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