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RA Exchange and Resident Advisor에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 RA Exchange and Resident Advisor 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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EX.607 Zepherin Saint

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Manage episode 326866276 series 55697
RA Exchange and Resident Advisor에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 RA Exchange and Resident Advisor 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Zepherin Saint's first release, 1988's Give Me Back Your Love as Boyz in Shock featuring Carol Leeming, was one of the first soulful house records to hit the UK. Saint played a key role in the UK's dance music scene, but as journalist Marcus Barnes highlights in this week's Resident Advisor Exchange, the influence and value of his work over the years has often been overlooked. Saint grew up in Harrow, North West London. His earliest experiments with music happened at school, playing the drums in a band making music that he describes as "Spandau Ballet funk, soul and pop tracks." The tunes were so good that their teacher organised studio time so they could make a demo. Handed down one of Harrow's key soundsystems from his older brother, Saint would go on to build rigs, and recording studios, of his own, supplying the sound for many acid house nights as the scene exploded. He worked at legendary London shop Black Market Records and spent time in the US managing R&B artists like Terri Walker, before returning to the UK to launch Tribe Records, bringing dance music from South Africa and establishing the blueprint for what is now the Afro house scene. Today, Saint is based in Melbourne, where he's started a new label, Inner Sauce, to celebrate the live house sound bubbling there. In an enlightening conversation with Barnes, Saint discusses Melbourne's return to partying post lockdown, building soundsystems, finding his identity in London as a young West Indian man, working at Black Market Records and how he's now turning his focus back onto his own productions.
  continue reading

996 에피소드

Artwork

EX.607 Zepherin Saint

RA Exchange

2,484 subscribers

published

icon공유
 
Manage episode 326866276 series 55697
RA Exchange and Resident Advisor에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 RA Exchange and Resident Advisor 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
Zepherin Saint's first release, 1988's Give Me Back Your Love as Boyz in Shock featuring Carol Leeming, was one of the first soulful house records to hit the UK. Saint played a key role in the UK's dance music scene, but as journalist Marcus Barnes highlights in this week's Resident Advisor Exchange, the influence and value of his work over the years has often been overlooked. Saint grew up in Harrow, North West London. His earliest experiments with music happened at school, playing the drums in a band making music that he describes as "Spandau Ballet funk, soul and pop tracks." The tunes were so good that their teacher organised studio time so they could make a demo. Handed down one of Harrow's key soundsystems from his older brother, Saint would go on to build rigs, and recording studios, of his own, supplying the sound for many acid house nights as the scene exploded. He worked at legendary London shop Black Market Records and spent time in the US managing R&B artists like Terri Walker, before returning to the UK to launch Tribe Records, bringing dance music from South Africa and establishing the blueprint for what is now the Afro house scene. Today, Saint is based in Melbourne, where he's started a new label, Inner Sauce, to celebrate the live house sound bubbling there. In an enlightening conversation with Barnes, Saint discusses Melbourne's return to partying post lockdown, building soundsystems, finding his identity in London as a young West Indian man, working at Black Market Records and how he's now turning his focus back onto his own productions.
  continue reading

996 에피소드

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