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Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.
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Finola Austin, "Bronte's Mistress" (Atria Books, 2020)

41:55
 
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Manage episode 279266717 series 2421496
Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

It seems likely that most of our listeners have at least heard of Charlotte Brontë’s Jane Eyre and her sister Emily’s Wuthering Heights. Many also know that Charlotte and Emily had two other talented siblings who grew to adulthood: Anne, author of the novel Agnes Grey, and the only male heir, Branwell—whose early promise evaporated in a haze of alcohol and opiates. Still, it seems likely that Branwell’s affair with his employer—Lydia Robinson, a wealthy, married woman eighteen years older than he—has received far less attention. This affair, the exact parameters of which have not been determined, is the subject of Finola Austin’s lovely debut novel, Brontë’s Mistress (Atria Books, 2020).

Although advantaged in many ways, Lydia has many reasons for complaint when we meet her. Her mother has just died, and her father suffers from senility. At forty-three, she fears the effects of approaching middle age on her beauty and her ability to bear children, the things that have defined and given value to her life. She worries about her daughters’ futures while fending off the encroachments of her mother-in-law. She still mourns the unexpected death of her fifth child, two years before the novel begins. And the loss of that youngest daughter has irreparably damaged Lydia’s long and once-satisfying relationship with her husband, Edmund, who neither offers comfort to nor accepts overtures from her.

So when the Robinsons’ governess, Anne Brontë, recommends her brother, Branwell, for the position of tutor to Lydia’s only son, it is perhaps not surprising that Lydia’s initial attempts to keep a proper distance soon evaporate in the face of the attraction she feels for this Byronic young man who pays her compliments, shares his poetry and his art, and listens to her woes. As Finola Austin notes in our interview, Branwell “sees” Lydia, and the consequences of that instinctive emotional connection drive the action of this psychologically sophisticated and always engrossing novel.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

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269 에피소드

Artwork
icon공유
 
Manage episode 279266717 series 2421496
Marshall Poe에서 제공하는 콘텐츠입니다. 에피소드, 그래픽, 팟캐스트 설명을 포함한 모든 팟캐스트 콘텐츠는 Marshall Poe 또는 해당 팟캐스트 플랫폼 파트너가 직접 업로드하고 제공합니다. 누군가가 귀하의 허락 없이 귀하의 저작물을 사용하고 있다고 생각되는 경우 여기에 설명된 절차를 따르실 수 있습니다 https://ko.player.fm/legal.

It seems likely that most of our listeners have at least heard of Charlotte Brontë’s Jane Eyre and her sister Emily’s Wuthering Heights. Many also know that Charlotte and Emily had two other talented siblings who grew to adulthood: Anne, author of the novel Agnes Grey, and the only male heir, Branwell—whose early promise evaporated in a haze of alcohol and opiates. Still, it seems likely that Branwell’s affair with his employer—Lydia Robinson, a wealthy, married woman eighteen years older than he—has received far less attention. This affair, the exact parameters of which have not been determined, is the subject of Finola Austin’s lovely debut novel, Brontë’s Mistress (Atria Books, 2020).

Although advantaged in many ways, Lydia has many reasons for complaint when we meet her. Her mother has just died, and her father suffers from senility. At forty-three, she fears the effects of approaching middle age on her beauty and her ability to bear children, the things that have defined and given value to her life. She worries about her daughters’ futures while fending off the encroachments of her mother-in-law. She still mourns the unexpected death of her fifth child, two years before the novel begins. And the loss of that youngest daughter has irreparably damaged Lydia’s long and once-satisfying relationship with her husband, Edmund, who neither offers comfort to nor accepts overtures from her.

So when the Robinsons’ governess, Anne Brontë, recommends her brother, Branwell, for the position of tutor to Lydia’s only son, it is perhaps not surprising that Lydia’s initial attempts to keep a proper distance soon evaporate in the face of the attraction she feels for this Byronic young man who pays her compliments, shares his poetry and his art, and listens to her woes. As Finola Austin notes in our interview, Branwell “sees” Lydia, and the consequences of that instinctive emotional connection drive the action of this psychologically sophisticated and always engrossing novel.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/historical-fiction

  continue reading

269 에피소드

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